awards and news

“From site, client, and experience, Frank Harmon spins a highly specific, easy-living modernism.” - Vernon Mays, Residential Architect magazine

Modern, Green Playhouse Designed To Inspire Imagination

Tuesday, September 20th, 2011

Frank Harmon Architect PA participates in Playhouse Parade fundraiser, auction.

Color scheme, elevations

Color scheme, elevations

September 20, 2011 (Raleigh, NC) — Award-winning architect Frank Harmon, FAIA, believes “the best toy is one that allows the greatest freedom. Lego is a good example, a child under a table with a tablecloth surrounding her is another, and nothing is better than a muddy stream.” That’s why the custom-built playhouse his firm has designed for the upcoming Playhouse Parade in Raleigh is about creating spaces that will inspire a child’s imagination.

The Playhouse Parade is a collaboration among the City of Raleigh Parks & Recreation Department, Cameron Village Shopping Center, the Triangle Builders Guild, and a variety of designers, architects, businesses, and individuals to raise funds for the Sassafras All Children’s Playground, a new playground in Laurel Hills that will be accessible for children with special needs.

Frank Harmon’s design team is well-known for modern, sustainable and regionally appropriate

Exterior (under construction)

Exterior (under construction)

architecture, and this playhouse – like the Dog House the firm designed in 2005 to raise funds for Triangle Beagle Rescue of North Carolina — is no exception.

In modern architecture, form follows function. But in the playhouse, form follows play — to allow children’s imagination the greatest freedom.

Rather than designing a themed playhouse — a pirate ship or a firehouse, for example — Harmon’s playhouse “lets a child use his or her imagination,” he says, “from tea parties to puppet shows and even making mud-pies.”

The tall, narrow structure features a covered porch/stage, a lower-level playroom with two windows, and a loft level with a balcony or ”Juliet” window. On the first level, behind the ladder that rises to the loft, is the “kitchen,” where a shelf with buckets sits ready for mud-pie making. Sliding shutters at both lower windows open for puppet shows but close to keep out rain — and imaginary forces

Interior showing the upper-level loft

Interior showing the upper-level loft

attacking a fort. The large main door at the front of the playhouse can be thrown open for stage productions. In its closed position, a smaller door-within-a door allows children to enter and exit, and a “peep hole” window above the small door allows sun light in and serves as a “spy portal.” A planter in front of the porch/stage invites children to grow flowers and vegetables.

“How important is it,” Harmon asks, “for children to learn where a tomato comes from?”

In keeping with the principals of green, or sustainable, design, the structure is composed of locally available materials: painted wood (plywood and 2×4s and 2×2s), metal (galvanized pipe), and translucent corrugated polycarbonate for the roof. The windows provide natural ventilation and lighting, and the deep roof overhang protects the interior from the hot summer sun.

Harmon and his design team consulted with a child psychologist and several children during the design process, and built the playhouse to the scale of a three- to seven-year-old child.

“It’s real, but small,” says Courtney Evans, Harmon’s architectural intern, who spearheaded the

Window with sliding shutter

Window with sliding shutter

project.

Twelve design teams are designing, building, and donating playhouses that will be displayed in Cameron Village on two Saturdays, October 8 and 15, then auctioned off on October 22 during the “Night Under The Stars Playhouse Parade Gala.” Proceeds from the auction will be used to restore the city’s one-of-a-kind playground that gives kids, no matter what their abilities, the chance to play. For more information: http://sassafrasplay.org/playhouse.

For more information on Frank Harmon Architect PA, visit www.frankharmon.com.

Architect Frank Harmon Debunks Modern Myths about Sustainable Design

Monday, March 28th, 2011

These excuses just won’t work any longer.

Res.Arch.image

March 28, 2011 (Raleigh NC) – Just 10 years ago, sustainable design was trumpeted primarily for its earth-saving, conservation attributes. The use of locally available construction materials, for example, reduced less pollution since trucks didn’t have to haul the materials. And the use of recycled materials meant fewer trees were felled and other natural resources were conserved.

Today, “green design” has moved into the mainstream as architects’ commercial, institutional and even governmental clients recognize the cost savings they receive when their buildings don’t consume as much energy.

Yet myths about sustainable design still pervade public discourse, giving individuals, homebuilders and corporations “excuses” for ignoring the drum beat for sustainable design.

Frank Harmon, FAIA, principal of the award-winning firm Frank Harmon Architect PA in Raleigh, NC, was beating that drum long before “green design” entered the general lexicon. Now a nationally recognized leader in modern, sustainable and regionally appropriate architecture, he continues to bring the principles of sustainability to bear on each and every project his firm undertakes.

When asked recently what he feels are the most common misconceptions about sustainable design, he offered the following along with the reasons why these myths need to be busted for once and for all.

Myth #1: Sustainable buildings require complicated technology and exotic hardware.

Reality: “The most important sustainable decision we can make for any building is its orientation on its site: how it faces the sun for natural daylight, opens to the cooling breezes for natural ventilation, and shelters its inhabitants from cold winter winds,” he said. “Site orientation may be ‘low-tech,’ but it is the key principle of sustainability that many people don’t consider when they think that sustainable design is complicated or exotic. Farmers have always practiced sustainable design for their homes and barns without even knowing they were doing. They had to. It was common sense then. It still is today.”

Myth #2: Sustainable buildings require expensive, unusual materials.

Reality: “Ordinary, locally produced materials, and how we use them without waste, produce sustainable buildings,” Harmon said. “For example, sturdy juniper shingles were a sustainable choice for the cottages built on the Outer Banks. Simple Southern yellow pine is a sustainable choice for a house in Charleston.

“In fact,” he added, “over 75 percent of what makes a building sustainable is contained in its orientation and in its ‘bones – in the materials it is made of. There’s nothing high-tech or unusual about that.”

Myth #3: Sustainable buildings are expensive.

Reality: “Sustainable, eco-friendly buildings cost the same as ‘ordinary’ buildings if we respect materials and orientation,” Harmon insisted. And the savings in consumption – which means savings in energy costs — are well worth the effort. The use of natural ventilation and light provides considerable savings alone. Now imagine never having to pay for electricity or hot water and dramatically lowering your water bill if you included photovoltaic cells on your roof, a solar hot water heater, and low-flow showers and toilets.”

Myth #4: Sustainable buildings are weird.

Reality: “Far from weird, a sustainable house is light-filled, open to the outdoors, full of fresh air, and made of natural materials,” Harmon said. “Again, some of the buildings our ancestors built, that we cherish today, are sustainable: a low country house, 19th century mill buildings, and old farmhouses. Even Monticello and Mount Vernon are familiar, friendly, and sustaining because they are made of regionally appropriate materials and sited to maximize natural ventilation and day-lighting.”

Myth #5: I can build a sustainable house, office, or school, but it won’t make any difference.

Reality: “Nothing could be farther from the truth,” Harmon said. “Forty percent of the energy used in America today is consumed in buildings. That’s more than the entire transportation system — cars, airplanes, trucks, etc. – put together. Buildings also consume 30 percent of our fresh water and 25 percent of all our wood products. So if you want to make a difference, buildings are the best place to start. And you’ll have a more enjoyable place in which to live, work, and learn because of it.”

For more information on why sustainable design matters, visit www.frankharmon.com.

About Frank Harmon, FAIA:

Frank Harmon, FAIA, principal of Frank Harmon Architect PA in Raleigh, NC, is also a Professor in Practice at NC State University and a frequent speaker at AIA and other design conventions and conferences throughout the US and Canada. In 2010, his firm was ranked 13th out of the top 50 firms in the nation by Architect magazine and Harmon was included in Residential Architect’s recent “RA 50: The short list of architects we love.” His firm’s work has been featured in numerous books, magazines, journals and ezines on architecture, including ArchDaily.com, Dwell, Architectural Record, Architect, and Residential Architect. For more information, go to www.frankharmon.com.

Frank Harmon Architect PA Welcomes New Team Member

Tuesday, March 15th, 2011

March 15, 2011 (Raleigh, NC) – Frank Harmon Architect PA of Raleigh, NC, has announced that project

Project manager Tika Hicks joins the award-winning firm.

Project manager Tika Hicks joins the award-winning firm.

manager/designer Tika Hicks of Raleigh has joined the firm’s award-winning team.

Hicks brings 12 years of experience in architectural project management, design and production services to the firm, which includes educational/institutional, commercial and residential projects, as well as historic preservation. Among other notable projects, she was instrumental in the restoration of the modernist Henry Kamphoefner residence and in its subsequent renovation/addition in conjunction with the late North Carolina State University’s College of Design Professor Robert Burns, FAIA.

Born in Chicago, Hicks grew up in Ithaca, New York, and moved to Raleigh in 1989. She attended Pennsylvania State University, where she concentrated in architecture, design and sculpture. She then studied abroad in Florence, Italy, before entering the N.C. State University College of Design, where she received her Bachelor of Arts degree in Environmental Design in Architecture.

Hicks’ previous work experience includes stints with Raleigh firms Kurt Eichenberger, AIA, Richard Hall Associates, Clearscapes, and Cannon Architects, and with the Chapel Hill firm Lucy Carol Davis Architects.

Harmon’s firm’s reputation for innovative, sustainable and regionally appropriate design led Hicks to his office.

“I want to be part of a great team that creates excellent and exciting projects that contribute to the sustainability of the built environment,” she said recently. “A huge part of why I’m here is because I want to work on projects that change and improve the built environment. Frank was ‘green’ before ‘green’ was ‘green.’ I couldn’t be happier to be a part of his team.”

Hicks has already been assigned to work on several of Harmon’s projects that are in design development or construction, including the Shellfish Research Hatchery at UNC-Wilmington, the site plan and new facilities for the Audubon Sanctuary on Pine Island, NC, the United Therapeutics Field House in Durham, and Riverworks in Jacksonville where a former wastewater treatment plant is being converted into an Environmental and Education Center.

For more information on Frank Harmon Architect PA, visit www.frankharmon.com.

Frank Harmon Makes Residential Architect’s “Short List of Architects We Love”

Thursday, December 30th, 2010

image021

December 30, 2010 (RALEIGH, NC) –  For the first time in its history, Residential Architect magazine has published its “RA 50: A Short List of Architects We Love.” And Frank Harmon Architect PA of Raleigh, NC, is among them.

According to editor Claire Conroy, “This collection comprises [firms] whose names keep rising to the top.” Along with Harmon’s firm, the list includes such illustrious names as Glenn Murcutt, Brooks-Scarpa Architects, Lake/Flato, and Michelle Kaufman.

Senior editors Nigel Maynard, Cheryl Weber, Meghan Drueding, and Bruce Snider say the RA 50 represents “a broad collection of people who simply – day in and day out – do very good, interesting work.”

Frank Harmon Architect PA is no stranger to Residential Architect’s pages. In 2003, the Taylor Vacation House the firm designed for a couple in the Bahamas was named RA’s House of the Year. In 2005, the firm received the magazine’s Top Firm of the Year accolade.

(more…)

News 14 Carolina: Botanical Garden Goes Green In Big Way

Monday, November 30th, 2009

Oct. 14, 2009 (CHAPEL HILL) – North Carolina’s Botanical Garden is going green in more ways than one.

“This garden has always been about conservation and sustainability and it was a natural outgrowth of our mission,” said Peter White, garden director. “We try to show people how to live best with the environment.”

CLICK HERE TO VIEW THE NEWS SEGMENT

NC Architect Frank Harmon Featured In Dwell Magazine

Sunday, August 16th, 2009

November 27, 2007 (RALEIGH, NC) – Dwell, one of the nation’s leading monthly magazines covering modern architecture and design, has devoted its December-January “Conversation” section to Raleigh, NC-based architect Frank Harmon, FAIA.

Entitled “Let’s Be Frank,” the section is a Q&A-format discussion between writer Frances Anderton and Harmon. It addresses the architect’s decades-long work as a modern, “green” designer and how his approach to this sensibility is informed by regionalism: the vernacular specifics of site and climate.

“Harmon hews to the notion that a structure should be specific to its place in terms of materials and its relationships to geography and climate,” Anderton writes. The architect stresses, however, that “I am not interested in vernacular to be sentimental. I am interested in what it can teach us. All vernacular architecture is sustainable.”

Harmon answers questions about his influences (including the late Harwell Hamilton Harris, FAIA), professional evolution (from renowned architect Richard Meier’s New York office to his own firm, Frank Harmon Architect), and the “current green awareness,” as Anderton puts it.

Of the latter, Harmon offers: “I’ve been doing green stuff for 25 years, and over that time I’ve had to educate my clients, and that has been very difficult. Today they all come to me and want something sustainable.”

Projects featured with the “Conversation” include the Open-Air Classroom at the North Carolina Museum of Natural Science’s Prairie Ridge Eco-station in Raleigh, the Strickland-Ferris house in Raleigh’s Laurel Hills subdivision, and the Taylor vacation house in the Bahamas.

The December-January edition of Dwell is available on newsstands now. For more information on the magazine, visit www.dwell.com.

For more information on Frank Harmon, visit www.frankharmon.com.

Frank Harmon To Serve As Chairman, Coordinator For Brick Southeast’s Design Competition In Georgia

Sunday, August 16th, 2009

August 4, 2007 (RALEIGH, NC) Frank Harmon, FAIA, of Frank Harmon Architect PA in Raleigh, North Carolina, has agreed to chair and coordinate a panel of jurors for Brick SouthEast’s AIA/Georgia “Design With Brick” awards competition.

Brick Southeast (BSE) is a Charlotte, NC-based trade organization that represents the Southeast’s brick manufacturers. The Design with Brick competition honors and promotes exemplary architectural design when clay brick is used as a predominant building material. Architects entering the program will be judged on the skill and creativeness they display when designing with brick. Categories include commercial, residential, landscape projects, and other unique applications.

BSE has sponsored this awards program with AIA/North Carolina and AIA/South Carolina for many years. This will be its first program for AIA/Georgia.

Judging will take place in Frank Harmon’s office on Mountford Street on September 12. The judges Harmon assembles will view a PowerPoint presentation of all the projects along with the required submittal binders.

The awards presentation and recognition to the brick suppliers will take place during AIA/Georgia’s 2007 design conference, which will take place in Savannah October 3- 6. Harmon will speak on behalf of the judges at the presentation ceremony.

Frank Harmon is already scheduled to present a seminar entitled, “Architecture with a Conscience: Designing Contemporary Regional Architecture,” during AIA/Georgia’s design conference. The seminar will illustrate the importance of place and region to innovative, appropriate, and sustainable, or “green,” design in contemporary architecture.

For more information on BSE, visit http://www.gobricksoutheast.com.

For more information on Frank Harmon, visit http://www.frankharmon.com.

Frank Harmon To Present “Architecture With A Conscience” During AIA/Georgia Conference

Sunday, August 16th, 2009

June 15, 2007 (RALEIGH, NC) Raleigh, NC-based architect Frank Harmon, FAIA, principal of Frank Harmon Architect PA, will present a seminar entitled, “Architecture with a Conscience: Designing Contemporary Regional Architecture,” during a design conference sponsored by the Georgia chapter of the American Institute of Architect (AIA/GA), to be held in Savannah October 3-6.

The seminar will illustrate the importance of place and region to innovative, appropriate, and sustainable, or “green,” design in contemporary architecture, according to Harmon.

“Buildings with a ‘conscience’ have existed in Southern farmhouses and barns for as long as farmers have erected them,” he said. “These are simple structures built of wholesome, vernacular materials, perched on stone piers so rainwater flows under them. They nestle lightly into the hillsides without disturbing the land. They are rooted in their region and inherently embody the principles of sustainability. And they speak of the Southern culture as eloquently as bluegrass music or clay pots.”

According to Harmon, his seminar will look at certain elements and themes that run through regional architecture, including: landscape; materials and construction (“the ‘sticks and stones’ of a place, he said); weather and climate; roof forms that shelter or collect; and clients. Using examples of his own work, along with that of Glenn Murcutt, Brian MacKay-Lyons, and Rick Joy, he intends to illustrate the importance of regionalism today to the process of creating innovative, sustainable, and appropriate contemporary design that is regionally based.

As with past seminars on this subject, Harmon hopes attending designers will gain a greater understanding of new techniques and methods for designing and building “green” architecture in the Southeast and beyond.

The AIA/GA conference will be held at the Savannah International Trade & Convention Center.

Frank Harmon is also an associate professor or architecture at the N.C. State University College of Design, and he is a frequent speaker at architectural events and conferences, including the 2007 American Institute of Architects’ National Convention, which will be held in San Antonio, Texas, in May. For more information go to www.frankharmon.com.