awards and news

“From site, client, and experience, Frank Harmon spins a highly specific, easy-living modernism.” - Vernon Mays, Residential Architect magazine

Award-Winning House To Be Featured on Triangle Modernist Houses April Tour

Sunday, August 16th, 2009

March 13, 2009 (RALEIGH, NC) An ultra-modern home that’s won three design awards and has been featured in Architectural Record, Dwell, the News & Observer, Triangle Business Journal and Raleigh Metro Magazine, as well as on numerous design and/or “green” websites, will be open for touring during the Triangle Modernist Houses (TMH) Tour to be held in Raleigh April 4.

The Strickland-Ferris Residence, designed by Frank Harmon, FAIA, principal of Frank Harmon Architect PA, will give TMH tourists a chance to see exactly what’s beneath the huge butterfly-shaped roof that seems to flutter above the treetops on a steep hillside overlooking Crabtree Creek in the Laurel Hills subdivision in West Raleigh.

The house is perched on nine, broad-shouldered wood trusses that allowed Harmon to save every single major tree on the site and that permit air and water to flow under the building. The butterfly-shaped roof opens the interior to views northwards to the creek and funnels rainwater into a collection system on the south side. The entire creek-side elevation is glass.

Entrance to the house is a progression from the top of the hill, across a bridge, and into a balcony foyer, at which point the drama of the scenery outside fills the interior through north-facing glass walls. From the balcony, a metal staircase descends past the glass (in essence, through the trees) to the main living/dining room, which, in turn, opens onto a partially secluded south-facing terrace below the entrance bridge. The kitchen and second bedroom are located on this level. The master bedroom is located on the upper level, off the balcony entrance.

Under the roof’s deep overhangs, the view of nature fills every room. Laminated wood columns and beams, plainly bracketed together and reminiscent of a tree house, also strengthen the presence of nature indoors. Partition walls between rooms stop short of reaching the exposed-wood ceiling. Pocket doors between spaces feature “frosted” central panels in the spirit of shoji screens.

Owned by Lynda Strickland and Marty Ferris, the house has received design awards from the North Carolina Chapter of the American Institute of Architects (NC/AIA), NC/AIA Triangle section, and from the Triangle Architecture Awards program. The TMH Tour is the first time the house has been open for public touring.

The April 4th tour celebrates the 60th anniversary of North Carolina State University’s College of Design. All of the modernist houses on the tour represent the work of NC School of Design alumni and/or faculty, including Frank Harmon,  James Fitzgibbon, Brian Shawcroft, George Matsumoto, Henry Kamphoefner, Robert Burns, Vinny Petrarca, John Reese,  Milton Small and Carter Williams.

For more information on TMH and the tour, go to www.trianglemodernisthomes.com. For more information on Frank Harmon and the Strickland-Ferris House, visit www.frankharmon.com.

Grits, Glass & Steel: Frank Harmon To Address Alabama and Tennessee AIA Chapters

Sunday, August 16th, 2009

June 11, 2008 (RALEIGH, NC) – Frank Harmon, FAIA, principal of the award-winning firm Frank Harmon Architect PA in Raleigh, NC, and an adjunct professor in architecture in N.C. State University’s College of Design, will discuss the evolution of Modern architecture in the South when he presents his popular “Grits, Glass & Steel” lecture during the upcoming Alabama and Tennessee conventions of the American Institute of Architects in June and July, respectively.

Using his own work as examples, Harmon’s address examines the elements and themes that inform contemporary Southern architecture — landscape; materials and construction (the “sticks and stones” of a place); weather and climate; roof forms that shelter or collect; and clients.

Through his address, which he has presented to many AIA chapters, he also illustrates the importance of “place” in the process of creating innovative, appropriate and sustainable contemporary design.

Frank Harmon is widely recognized as a leader in sustainable architecture. He was recently a guest on Dick Gordon’s “The Story” and the featured architect in Dwell magazine’s “Conversation” section (Dec/Jan ‘08). In both, he discussed how he has come to design innovative, sustainable and Modern structures by studying old Southern barns and farmhouses and realizing just how sustainable, or “green,” they really are.

“I am not interested in vernacular to be sentimental,” he told Dwell. “I am interested in what it can teach us. All vernacular architecture is sustainable. It is always inherently related to the region. But let me emphasize that regionalism should not be confused with parochialism any more than you would call Faulkner a local Southern writer.”

The Alabama Council/AIA 2008 Convention will be held from June 20-22 at The Battle House in Mobile. Harmon will address attendees on June 21. The  Middle Tennessee component of the AIA will hold its annual Meeting & Exhibition in downtown Nashville July 16-19 with Frank Harmon’s address taking place on July 18. For more information visit www.aiaalabama.org and www.aiamidtn.org.

For more information on Frank Harmon, his work and previous speaking engagements, visit www.frankharmon.com.

Judy and Frank Harmon Discuss “What I Learned Doing My House” During Boston Convention

Sunday, August 16th, 2009

March 24, 2008 (RALEIGH, NC) – Award-winning landscape architect Judy Harmon, ASAL, and her husband, architect Frank Harmon, FAIA, will participate in a panel discussion entitled “What I Learned Doing My Own House” during Residential Design & Construction (RDC), a two-day convention and trade show for design and construction professionals, home owners, and consumers to be held April 2 and 3 in the Seaport World Trade Center in Boston, MA.

The Raleigh couple created their home and gardens together in 1994, juxtaposing Frank Harmon’s thoroughly Modern residential design with Judy Harmon’s curvilinear garden design, which creates a paisley of sunny, open spaces and dense, shaded foliage. According to the Harmons, the house and gardens were designed as halves of the greater “whole” — as equal parts of the living experience. Their residence has won design awards and has been featured in numerous publications, including the book Outside The Not-so-big House by architect Sarah Susanka and landscape architect Julie Moir Messervy.

According to Claire Conroy, editor of Residential Architect magazine and moderator for this panel, the Harmons and other invited speakers will discuss “the surprises and delights they experienced designing their own dwellings. Was it a dream come true or the client from the dark side? What would they do differently if they could? What insights did they gain for other projects and other clients?” The panel will offer “a behind-the-scenes look at what architects create for themselves.”

“What I Learned Doing My Own House” will take place on Thursday, April 3, from 1-3 p.m. Joining Conroy and the Harmons will be Mark Hutker, AIA, of Hutker Architects in Vineyard Haven, MA, and Mark McInturff, FAIA, of McInturff Architects in Bethesda, MD.

The RDC offers workshops and professional development opportunities to enrich residential design and construction professional’s design and technical skills. Nationally and internationally recognized industry leaders share their knowledge and expertise. The convention allows the public to meet architects and interior designers and to view hundreds of exhibits featuring new products, new technologies and both traditional and non-traditional design. For more information visit www.buildboston.com.

For more information on the Harmons’ home, visit www.frankharmon.com. Click on “projects” then “Harmon residence.”

Frank Harmon Presents Project, Opening Lecture at “Southern Exposure: Contemporary Regional Architecture”

Sunday, August 16th, 2009

February 8, 2008 (RICHMOND, VA) –  When Modern architecture embraces the particulars of a place – the culture, climate, materials and landscape of the region in which it is built – it is no longer “stark” or “cold,” as detractors would suggest, but warm, charming and often quite “green.”

This is the message the Virginia Society of the American institute of Architects AIA/VA) conveys in a new exhibit entitled “Southern Exposure: Contemporary Regional Architecture,” which opened in the Virginia Center for Architecture in Richmond on February 7 and will run through June 8, 2008.

Southern Exposure is “a pictorial tour of some of the Sun Belt’s most respected Modern architecture,” according to Rhea George of AIA/VA. The projects included demonstrate that, in the right hands, Modern design can be as “warm and imaginative as buildings from any period in history,” she said, as they “balance beauty with sustainability.”

Award-winning Raleigh, NC-based architect Frank Harmon, FAIA, who has conducted seminars on “America’s New Regionalism” during the last three National AIA conventions, presented a lecture on his regional approach to design at the exhibition’s public opening event Thursday night.

Harmon’s contribution to the exhibit is a Low-Country residence in Mt. Pleasant, SC, that was designed to tread lightly on its tidal-marsh site. Taking his cue from traditional shutters on nearby Charleston’s historic homes, Harmon designed a series of large, metal screens to protect the house from harsh sun and hurricanes – a “21st century solution to a 400-year-old problem,” he said.

The show also includes work by Marlon Blackwell of Fayetteville, Ark.; W. G. Clark of Charlottesville, VA; Mack Scogin of Merril Elam Architects in Atlanta, GA; Lake/Flato Architects of San Antonio, TX; and the groundbreaking work of students at Auburn University’s Rural Studio in Alabama, founded by the late Samuel Mockbee, which combines social outreach with architectural education (www.ruralstudio.com).

The Virginia Center for Architecture is located at 2501 Monument Avenue in Richmond’s historic Fan District and is open to the public Tuesday through Friday from 10 a.m. to 5 p.m.; Saturday and Sunday from 1 to 5 p.m. For more information, visit www.virginiaarchitecture.org. For more information on Frank Harmon, go to www.frankharmon.com.

International Design Center In Florida Hosts Raleigh Architect Frank Harmon

Sunday, August 16th, 2009

October 17, 2007 (RALEIGH, NC) – The importance of place and region to innovative, appropriate and sustainable design in contemporary architecture will be the subject of award-winning Raleigh architect Frank Harmon’s address to the International Design Center (IDC) in Estero, Florida on Friday, October 17.

For several years, Harmon, principal of Frank Harmon Architect PA, has been a popular speaker on the subject of “America’s New Regionalism” and lessons in sustainability to be learned from vernacular structures at regional, state and national gatherings and conferences of design professionals. He presented seminars at the 2005, 2006 and 2007 National AIA Conventions and at Dwell magazine’s recent 2007 Dwell On Design Conference in San Francisco.

“Regional architecture is enabling, not confining,” he says, “and it embraces what the late Harwell Hamilton Harris called ‘the particulars of client, place and materials.’

“I like to talk about geographic regions and how traditional building methods have responded to the particulars of climate, topography and materials. I illustrate this through my own work as well as the work of W.G. Clark, Glenn Murcutt and Brian MacKay-Lyons, three contemporary architects who are very attuned to their place and region.”

Harmon’s address is part of the Alfred W. French III series of lectures on architecture sponsored by the Southwest Florida chapter of the American Institute of Architects (AIA/Florida). It began on October 5 with a lecture by Frank Visconti of Visconti Architecture in New York and continued with a presentation by Sarah Graham of Angelil/Graham Architect in Los Angeles..

The IDC, located between Naples and Fort Myers, Fla. is a resource for design professionals (www.IDCFL.com).

For more information on Frank Harmon, visit www.frankharmon.com.

Frank Harmon To Present “Architecture With A Conscience” During AIA/Georgia Conference

Sunday, August 16th, 2009

June 15, 2007 (RALEIGH, NC) Raleigh, NC-based architect Frank Harmon, FAIA, principal of Frank Harmon Architect PA, will present a seminar entitled, “Architecture with a Conscience: Designing Contemporary Regional Architecture,” during a design conference sponsored by the Georgia chapter of the American Institute of Architect (AIA/GA), to be held in Savannah October 3-6.

The seminar will illustrate the importance of place and region to innovative, appropriate, and sustainable, or “green,” design in contemporary architecture, according to Harmon.

“Buildings with a ‘conscience’ have existed in Southern farmhouses and barns for as long as farmers have erected them,” he said. “These are simple structures built of wholesome, vernacular materials, perched on stone piers so rainwater flows under them. They nestle lightly into the hillsides without disturbing the land. They are rooted in their region and inherently embody the principles of sustainability. And they speak of the Southern culture as eloquently as bluegrass music or clay pots.”

According to Harmon, his seminar will look at certain elements and themes that run through regional architecture, including: landscape; materials and construction (“the ‘sticks and stones’ of a place, he said); weather and climate; roof forms that shelter or collect; and clients. Using examples of his own work, along with that of Glenn Murcutt, Brian MacKay-Lyons, and Rick Joy, he intends to illustrate the importance of regionalism today to the process of creating innovative, sustainable, and appropriate contemporary design that is regionally based.

As with past seminars on this subject, Harmon hopes attending designers will gain a greater understanding of new techniques and methods for designing and building “green” architecture in the Southeast and beyond.

The AIA/GA conference will be held at the Savannah International Trade & Convention Center.

Frank Harmon is also an associate professor or architecture at the N.C. State University College of Design, and he is a frequent speaker at architectural events and conferences, including the 2007 American Institute of Architects’ National Convention, which will be held in San Antonio, Texas, in May. For more information go to www.frankharmon.com.

Modern House In Laurel Hills Featured In January Architectural Record

Sunday, August 16th, 2009

January 26, 2007 (RALEIGH, NC) – A modern house perched on a steep hillside in Raleigh, North Carolina’s Laurel Hills neighborhood is featured this month in Architectural Record, one of the profession’s most respected journal.

Raleigh architect Frank Harmon, FAIA, principal of Frank Harmon Architect PA, designed the 1800-square-foot house for Lynda Strickland when she relocated here from Washington, D.C. Her property is located within a 150-year-old beech and oak forest above Crabtree Creek.

“We knew we had to raise the house off the ground and let the water flow under it,” Harmon told Architectural Record’s Clifford Pearson, so he propped it on nine wood trusses sitting on concrete columns. “The strategy not only preserved the site’s hydrological patterns,” writes Pearson, “but allowed the architect to build without cutting down any major trees…”

In the article, entitled “Frank Harmon raised the Strickland-Ferris Residence off the ground, then let its roof take flight,” Pearson addresses the innovative “butterfly roof….floating above a band of windows wrapping around the top of the building,” which also helps collect rainwater for irrigating the forest floor.

Noting that Strickland told Harmon she wanted “to feel as if I were living in the trees,” Pearson writes: “A glass-and-steel wall running the length of the building and reaching as high as 27 feet creates an ethereal boundary between inside and out, between modern living and the great outdoors.”

Completed in 2004, the Strickland-Ferris residence has received design awards from the North Carolina Chapter of the American Institute of Architect (AIA/NC), and the AIA/NC Triangle section. It was also featured in Dwell magazine’s December edition.

A portion of the feature in Architectural Record is available online at www.archrecord.construction.com/residential/quarterly/0801strickland-1.asp. Photographs and a description of the house are also available at www.frankharmon.com under “projects.”

Frank Harmon Wins Two Canadian Wood Council Design Awards

Sunday, August 16th, 2009

November 14, 2006 (OTTAWA, ON) –– Frank Harmon, FAIA, of Frank Harmon Architect PA in Raleigh, NC, has received two of the 15 design awards recently announced by Wood Design & Building magazine, which is produced by the Canadian Wood Council. Judging was held at the National Gallery of Canada on Friday, October 27, 2006.

Harmon’s award-winning projects, which were selected from over 200 entries in the program, are the North Carolina Museum of Natural Science’s Open-Air Classroom at the Prairie Ridge Ecostation for Wildlife & Learning in Raleigh, and the Strickland-Ferris residence, also in Raleigh.

Judges in the awards program noted that the open-air classroom’s primary materials are wood: parallel strand lumber structure, Southern yellow pine framing, and Atlantic white cedar siding.

The Strickland-Ferris house’s structure is also comprised of parallel strand lumber, while floor and roof systems are plywood web truss joists. Interior finishes include a range of wood elements.

The Wood Design Awards program is the only North American program designed “to foster growth in the quality of architectural practices by recognizing achievements in wood architecture,” according to Jennifer Duthie of the Canadian Wood Council.

“These projects push the boundaries of conventional wood building practices and highlight the special qualities, versatility and sheer beauty of wood as a building material,” she noted. “The selection of the 15 winning projects was challenging for the judges, as all of the projects displayed innovative uses of wood as a building material.”

The jury selected projects from a wide range of categories, including civic, residential, academic, institutional, and recreational buildings. The panel of jurors included: Craig Curtis, AIA, The Miller Hull Partnership, LLP, Seattle; Brian MacKay-Lyons, FAIA, MacKay-Lyons Sweetapple Architects Limited, Halifax; and Michael McInturff, FAIA, McInturff Architects, Maryland.

The Canadian Wood Council represents Canadian wood manufactures and is the national association dedicated to increasing market access and expanding market demand for Canadian wood products. For more than nine years, Wood Design & Building magazine has been the only magazine exclusively about wood use in architecture and construction.

For more information on Frank Harmon, visit www.frankharmon.com. For more information on Wood Design & Building magazine and the Canadian Wood Council, visit www.wooddesignandbuilding.com and www.cwc.ca.

Wood – The Ultimate “Green” Material: Frank Harmon To Address Canadian Wood Council

Sunday, August 16th, 2009

October 17, 2006 (RALEIGH, NC)Frank Harmon, FAIA, principal of Frank Harmon Architect PA in Raleigh, will present a seminar entitled “Wood: The Ultimate ‘Green” Material” during the Canadian Wood Council’s first annual Wood Design & Building Expo to be held in Anaheim, CA, November 6-8, 2006.

The Expo will bring together wood professionals, designers and architects from around the world to share their knowledge and expertise through education sessions focusing on specific professions and topic areas related to products, applications, and design.

Frank Harmon is well known for award-winning buildings of primarily wood construction. “Harmon’s portfolio is filled with small projects in which he has achieved a remarkable refinement with the humblest materials,” observed senior editor Sarah Hart in Architectural Record (February 2001).

According to Harmon, his seminar at thee Expo will teach participants three primary points: (1) How to observe and learn from traditional/vernacular techniques to inform a modern architectural application, (2) How to detail wood for durability in warm, humid climates, and (3) How to take advantage of wood as the ultimate “green,” common, renewable material.

“The vocabulary of construction in the South has been defined by wood for over 300 years,” Harmon said recently. “That was the only building material the settlers in North Carolina, South Carolina, and Virginia had. Yet when we gained access to other materials, wood endured. Why?” He counts six primary reasons – all of which, he said, point to wood as the ultimate ‘green’ material.

First, he said, wood is available locally and is renewable.  “It doesn’t have to be trucked in, and it can be replenished through careful forestry practices. Besides, if we harvest wood locally, we’ll take better care of our forests.”

Secondly, wood, especially old wood from historic structures, can be reused or recycled. “In the 19th century, the major commercial building types in North Carolina were textile mills and tobacco manufacturing facilities. They were made of virgin-growth long leaf pine. They are being torn down now, but their beams can be reused in many ways, such as flooring and trim, thanks to the advent of local sawmills that specialize in the reuse of old lumber.”

The third reason wood has endured as a building material for over 300 years, he said, is because “by using the correct species and by paying attention to construction methods, wood becomes extremely durable and permanent. Early settlers quickly learned that by building broad overhangs and raising their houses and barns up off the ground to keep them dry, they were not only making their buildings pleasant for inhabitants. They were also protecting the wood structure itself.

The fourth reason: “Wood is an economical material, compared to steel and concrete. It’s practical. And pound for pound, it is as strong as steel.”

The fifth reason: “Wood is familiar, friendly. People can connect with and relate to the look and feel of wood. We understand it. Its imperfect nature also makes it inherently interesting. And if we read those imperfections, we can use it to its best advantage.”

Finally, he pointed out that, “If it is used properly, would doesn’t need finishes, and some of our most toxic environmental substances are a byproduct of paints and stains.”

For the past 20 years, Harmon has been studying 100-year-old vernacular structures — farmhouses, barns, boats, and old textile mills — to learn how they were built and why they have remained intact all these years. “This has had a dramatic impact on the way I design and build,” he said. “I’ve been able to translate the lessons I’ve learned from these old, wooden structures into a modern architectural vocabulary.”

More information on the 2006 Wood Design & Build Expo is available on internet at www.wooddesignandbuilding.com. For more information on Frank Harmon, visit www.frankharmon.com.

Sticks & Stones: Frank Harmon Addresses Practice Green Symposium in Virginia

Sunday, August 16th, 2009

September 28, 2006 (RICHMOND, VA) — Frank Harmon, FAIA, principal of Frank Harmon Architect PA in Raleigh, presented a seminar entitled “Sticks and Stones: Sustainable Architecture in the Mid-South,” during the Virginia Center for Architecture’s Practice Green Symposium held September 15, 2006, in Richmond.

Harmon’s seminar examined certain elements and themes that run through regional architecture — landscape; materials and construction (the “sticks and stones” of a place); weather and climate; roof forms that shelter or collect; and clients – and demonstrated how they can and should be used to create innovative, sustainable and appropriate contemporary buildings. Harmon used his and other firms’ work to illustrate the principles, then led a Q&A session between the day’s speakers and the audience.

Frank Harmon is also an associate professor or architecture at the N.C. State University College of Design and is a frequent speaker at architectural events and conferences, including American Institute of Architects’ National Convention, which was held in Los Angeles, CA, in June. He will address the Canadian Wood Council’s “Wood Design & Building Expo,” in Anaheim, CA, in November.

For more information on Frank Harmon, visit www.frankharmon.com.